Prime skills i think are layout, and inking, especially tonal work with a lot of depth. I can also colour. Pencil for someone else though ideally you want a strong inker to follow that up – I’m a messy penciller by some standards. Lettering [digitally or by hand] and do ID package design work. All are on the table for reasonable rates. If you care to know my work history you’ll find my CV here, and a list of my published comics work here.
First, layout and penciling, two sets.
Thumbnails from Dream Life [unsigned] & link to a large set of proses work on Flickr.
This is broken out into 4 sets, from simple inked pages done for speed! Fast pages with tones added.
Too inks with washes, more invested time wise, and finally the last batch are of inks with ink washes and digital tones.
First, one page a day average.
Ghostbusters, inks no tones.
pages in sequence
This image links to a very high rez version
that you can print out to get a better look at.
This was by hand, I of course can do it on a computer too…
At this point for a job I probably would do it
partly digitally for dialog.
SFX though, i like doing by hand like this.
I block it out on the computer and ink it by hand.
Inked B&W art, done for myself,
taking my sweet time!
2.5 to 4 days a page from thumbs to finishes. Also my own hand lettering here.
Dream life, my labour of love.
Embedded here is the first act, you can read the whole book now on Tapastic or by phisical or digtal copies here.
If the script and the rate are right,
I’ll be happy to do this for a paying gig too.