Posts Tagged ‘Comics’
It’s alive! I just launched a new 28 day kickstarter to finance my new Graphic Novel,
the long awaited Dream Life | a late coming of age.
I had it up as a web comic for a long time as part of the TX comics group, it earned me a Webcomics Creator nomination in the Joe Shuster Awards a couple times -
For the new book launch, I have a 61 page preview for download or viewing via Issue.
The old pages have been edited and such, so I’ve taken them down on the main site but you can still read them here on Facebook and here on Google+. I kind of like the full screen experience on those pages better anyway.
Thanks to everyone who left comments on the old posts, it was really nice having some kind of feedback when i was posting them that way. It ended up being ill paced I think to the format, so I was not surprised it seldom got a lot of traffic, but some days a good 50 to a 100 people would come and read the whole story! And some of you left very encouraging and flattening notes. You guys helped me keep feeling positive about this project through many darker days and hopeful what I was doing would find a wider audience. Also thanks to Larry Cruz who helped me come up with a great way to describe the narrative style I’ve been trying to develop with this story. I’ll be continuing to use this for some time I expect! :)
“Dream Life is one of those weird comics … It’s more like an orchestral piece, only you allow the artwork, rather than the music, to buffet you through the emotional highs and lows of each movement.”
[link] - Larry Cruz - One Punch Reviews – 4 out of 5
I’m working on getting up a gallery of art that will be on offer as a reward to post in the next day or so. Already two of my 90′s era pages are taken! Encouraging.
I’m going to be working on the two covers so i can get dummies of each version of the book made soon, the limited run of 90 books for the Indiegogo backers, and the Launch edition for TCAF and beyond.
I’m going to be contacting some other shops including those that have stocked Revolver in the past, but right from the start I can say it will be available at The Beguiling, The Dragon, and Strange Adventures.
But that said I really hope I can entice to get the books direct from me via this kickstarter! You can get a full sweet of all three issues of Revolver, and Dream Life for just $50 and help get a nice handful of copies made for the big launch! The same set of books, and a couple more issues of Revolver, AND a downloadable copy of a really cool album [more to come in a separate post about that shortly!], are also on offer as a grand digital option!
So close to getting so many things done, I kind of feel like there’s a brick about to fall on my head or something!
Just being dramatic but after all the hurdles getting this stuff done. Still some big one’s left to go too…
Got the last of these scanned a couple days ago, inking them by now. The rest of the book is done. These six wordless pages go in the middle, to help give PJ some room to breath as a character. She has one of the most intense narratives in the book. I’m hopping this will help put some of the pieces in place. Looking, here, think it works.
Have to get them done tout de suite! Inked and tones. Also got edits in from Mark for Dracula and the rest of revolver three. Some writing and curating to do too for the backers edition of Dream Life. Get some new quotes. Boy it’s all going to be tight! But once the art’s in the bag i can start some big wheels rolling. [Time shifted post].
Vol three of the series will feature my first autobio work, and Dracula Son of the Dragon with Mark Sable!
So right this second I’m constructively procrastinating a bit before starting in on the last 6 pages of Dream Life. Check out some glimpses of that on Instagram here. The FB page could use more likes too. The last six are a final, all new scene I decided to add after a proofing of the book. And then it’s actually done. O_o
Looking ahead there’s going to be a lot I have to do still!
I start a new session of my Dynamic Drawing class as well, teaching once a week. Looking forward to it but an added challenge. Meanwhile I’ve got some back mater to curate and write for the backers edition for the indiegogo drive. Cover for that is already mostly done, and the template for the Launch edition. I’ve also got Revolver vol 3 completed, it’s going through final proofing and edits. I think I may rewrite the forward once again. But a lot of stuff is getting, done. It’s a nice big pile. Scary too sometimes.
The plan is to have them all printed and present at TCAF. A launch proper for Dream Life my latest graphic novel, along with a full suite of self published Salgood Sam, with Revolver one to three. Financing all that, definitely a challenge on the current income. Scratch that, probably not on.
I’m thinking I’m going to try the killer app that is a kickstarter style drive as pre-sale and focus point of a big promotional effort to get word out about the books. Have some number crunching to do and a lot of planning. Some quality time with a calendar too. Probably have to do it in two months time latest! So while getting the packaging wrapped up and teaching! Hah. Ok, this will be fun. Hey anyone tells you self publishing is no trouble…punch them.
No not really, i’m not into violence. But kinda…
So no call to action for that just yet, but expect one. In the mean time, I would like to encourage to you pick up the first two Revolvers. And now to show off a little of the art from both Dream Life, and Revolver Three. Please share this with people, help raise the flag?
Dream Life has been a really,
really long running labour of love.
The story of five friends. Dreams, drugs, & denial all failing to weather the arc of life unscathed. Each coming to terms with lives peter panned, and in danger of going off the rails.
It’s received some recognition as a web comic, and support from both grants and crowdfunding! Damn I feel like I really milked a luck goat on this one. It is in fact, not even the whole book I had in mind. So I really hope people like it, so I can make the second half, or two-thirds almost I suspect! That would be wonderful.
The Launch edition will be a 161 pages of story, B&W, 8″x10″ trade paperback. My longest work to date, and most significant solo effort. Not necessarily important to anyone else but me, but I’m pretty pleased with that. :)
This spread comes from a scene in the later half I really like. It’s a work of contemporary fiction, with healthy doses of magic realism, & influenced by cinematic neorealism. There’s a Pulp Fiction inspired subplot, and several interwoven storylines. I hope it to be an engrossing and lush reading experience.
I’m so glad I drew Rob Ford into this shot a year ago or so, very fitting.
Revolver is an ongoing personal anthology series. I’m currently offering it in both print and digital modes from my site here. The first two issues are already live, and the third as I said is in the can.
So far Revolver has been a critical success, but slow seller, in part because there is only one me and I still have to spend most of my time drawing. Not to beat a dead horse but that’s something you could help with big time! Find me on twitter here, and RT about the books!
Revolver Three is going to be an exciting one for me, as it contains two all new stories, drawn mostly in just the last half a year.
I’m starting a new series of short works to collect, caled A Bastard’s Tale. Here on the left is a page from that. They run together but are meant to work as short stories too. Tailored to the anthology series format. It’s a memoir, about my father Lionel, and growing up in a counter culture.
My first attempt at something this intensely personal, and frankly scares the shit out of me eh? Hah. But I feel like having thought about it for a long time, I’ve finally found a way into how I would enjoy sharing some aspects of that story. I was thinking of it at first as JUST a book just about Lionel, my father. But I realized in the end my way into that story was via my POV, so that would be an honest way to do it and it provided me with a good starting point finally. Often a big hurdle, that first step. A Bastard’s Tale is going to be fun as I have a more open pallet in terms boundaries on my drawing styles and techniques.
The bulk of the third vol of Revolver will be given over to something else, completely different…
Dracula Son of the Dragon
In early 2013 Mark Sable and I had a successful Kickstarter to finance the production of the artwork for a new story, Dracula Son of the Dragon. A 60+ page novella, first in a series of 4, that i’m serializing in B&W in Revolver in quarters as I complete it. Part historical fiction, part horror fantasy, chronicling Vlad the Impaler’s transformation into the vampire Dracula.
Revolver Vol Three marks the launch of the series with the first installment. Backers for the Dracula Kickstarter are digital subscribers for the most part, who get an early bird link for their digital subscriptions. So i’m really keen for them to all get their first look at what their support helped get done. That’s 300+ subscribers already! The final colour printed collection of Dracula Son of the Dragon is going to be late, but at least it will appear in some form at TCAF 2014 in Revolver three!
While the two projects are very different, there is also an interesting synergy between the these installments of both, featuring a young boys relationship with his father. Unplanned but cool. There’s also an assortment of pin ups and comic jams again, I really tried to curate an enjoyable reading experience. I want Revolver to be the best of me. Something I can hold up with unqualified pride of craft.
I included an informal query about the digital subscription when we started collecting info from backers, and so far i’m very pleased with the number of thumbs up! So thanks for that, and your amazing support!
So that’s what’s up with my comics and stuff! A lot eh? Tell me about it. And tell your friends too OK?
Like Dracula and Dream Life on Facebook, buy a digital or print copy of Revolver, and then review it!
Read the first 100+ page preview of Dream Life and then share it with your friends, with word of it’s pending release! I can’t do this stuff for long without you, the readers.
Thanks and cheers!
I’ll try to post more often.
[PreS: sorry you early birds if you got surprised by the auto-play, fixed now.]
Hah, that would be just my luck, as i’m finally getting half a hang of promoting myself publishing ventures at something approaching the pace it seems to take to get anyone to take your seriously online or noticed in the torrents of updates, the game would go and change from under my feet.
Being buddhistly inclined I liked a lot of what he had to say about applying mindfulness to your work in the digital sphere. I do try to do just that as much as my mind will allow. Also think I spotted some impracticalities too. Share Jim’s concern about the narrowing of focus and echo chamber effect [something he mentioned in passing in the interview].
We will see. Agree enthusiastically with the sentiment of it, as a card carrying member of the old slow action movement I’d far rather quality of interactions trump update cycles.
Over time I do think they count more. But when you’re still one of many, and growing numbers of creators trying to raise awareness of our work, and have as eclectic a reader base it seems I have, I’m not sure how much liberty I have to choose to overly narrow band broadcast. I feel like on the edges of your media domain you need to have fairly fast moving streams to match the pace of the rest of the web, to draw in readers to your core presentation. I don’t post on the blog here rapidly. No way I could keep up with a even once daily rate that Warren thinks of as a lower gear, while maintaining a good level of quality of content, and keep on top of my artwork. Beyond the usual challenges of content creation being dyslexic makes the process of writing and proofing laborious.
But Facebook, my pages, and twitter, G+ to a degree too, I can post small bits of thought or just promote other people’s stuff – something I agree with Dean Haspiel about being a important and valuable role to play, not just as being a community builder but also being someone anyone cares to pay attention too as well. Rather than someone who only talks about themselves?
I suspect some aspects of the slow web Warren and Jeffrey talk about is in part the privileged cruising gear of those who’ve established themselves. For those that describes It makes a lot of sense to economize your efforts.
At this point I follow the feed-back, post more where I find I get responses and less where I don’t.
Never was all in for twitter, it’s always been a semi-automated branch of my blogs. Don’t have a phone attached to my hip so it was never practical for me and too much of a distraction from the drawing table.
For the moment I get far more attention to my work on Facebook than anywhere else. My computer is seldom far from me so when I brake to pace around, grab a coffee, or set up a show to half watch, I often check in and poke around, like or share something, post a bit of work i’m in the midst of.
I tried promoting a couple of posts on Facebook recently connected with RevolveЯ. They got a lot more views but I remain unconvinced if it helped all that much. I did notice that you have to watch it with that, need to look closely at how the options are laid out for you when you set up a promoted post. Seems like a default was to keep promoting and charging after the budget I had set was spent. Not sure what to make of that but I was not pleased to find I was getting charged again without first being asked. As is too often the case it feels like communicating is not FBs strong suit. Incidentally it’s been amusing to watch as twice as many people who’ve added me as a contact in the past 6 months, did so in the last week on Flickr post instagram TOS fiasco. All good, welcome to all. I was never on instagram so works for me.
Speaking of attention…
Having a hard time getting some key comics news sites to pick up my press for RevolveЯ. Others have, but a few of the key players are being tough nuts to crack. Another round of press needs to be done, hoping I can get more traction in the new year. Wondering if I rubbed some the wrong way along the line or something? For sure not really being part of the convention circuit has not helped. Last show I did was TCAF, and that just as a civilian. Ran into one former editor I once worked with who now blogs, it was kind of awkward, as is to happen at these hectic things, but has not replied to an email since?
Be nice to go to more shows and have more fluid relations with the comics diaspora at large, have a chance to build solid friendships in person. But my lack of funds aside, when am I supposed to make time for that and still draw my books, and do all the other shit we have to do ourselves these days eh? Would love to, but we have to have a successful book first. For that we need the book we have to get coverage so people know it’s there to order or buy. A dog and tail game.
Best is if the word gets out more virally, and becomes something the diaspora can’t ignore. If you’re reading this, do us a favor and check out the book if you have not already, mention it to a few someones, share it blog it and if you’d like to review it contact me about that, be glad to oblige. I have lots of visitors and followers these days but outside a core group not enough sharing what they find to get that fantastic fractal spreading pattern going yet. Needs more cowbell!
On the other hand and not to seem to only gripe, I have had some nice windfalls!
Most recently I managed to get invited onto the CBC show to do some local color run after this great doc, Graphic Chicken Soup for the Graphic Soul, by David Gutnick. Thanks to David and Maria Turner, my boss at carte blache both for putting my name in for that. I’m on with an old acquaintance, Simon Bossé, in a piece called Growing up graphic. Our parents get all the blame.
Making it a more entertaining experience than planned I got nailed by the flu about 6 hours before the interview, vomiting all over the place very suddenly and sending my poor Ange into a cleaning frenzy. Managed to clear out the pipes and get it together to do it all over the phone, thanks to some nice editing, I even sound totally coherent.
Growing up graphic: CINQ A SIX | Dec 22, 2012 | 10:36 © CBC 2012
So that’s me for the year probably. Couple more retailers on board and some new distribution channels about to come online for RevolveЯ. I’m running behind on RevolveЯ Two right now due to last minute editorial decisions on my part, and the feeling like the slow moving soft launch is progressing well, but has not reached the sweet spot for the next Minimum Effective Dose. The next book dropping and it’s associated press releases, to help crank the series forward. Taking the time to color a story and add another to make it all that much cooler, less ignorable, and put it out in January instead of this month as I had planned originally.
Keep your eyes open for a kickstarter project from me and Mark Sable too in the new year.
As work on Dream Life book one gets done i’ll be jumping directly onto a story we have planned.
Happy Holiday and a grand old new year all!
Was invited to write up some books for Robot 6′s regular piece, “What Are You Reading?”.
Decided to cover some books by friends that I had just read for awards or had been picking through over the summer. I don’t apologize for being biased.
‘Tale of Sand‘, ‘Suddenly Something Happened‘, & ‘Traumstadtdenken‘.
Multi-award winning Art and Adaptation by Royal Academy heavyweight Ramón Pérez.
Award winning packaging by Eric Skillman.
Ramón’s a friend, and it’s been inspiring to watch him become deservedly highly sought after. It may be laying it on a little thick calling this book one for the ages, but I just did. I will have no choice but to cop to being bias. But I’m confident you will agree.
A year or so ago it was while loitering around the Toronto studio he shares with the rest of the Academy gang that I first saw pages from this rather brazenly epic realization of a reputedly esoteric rich early script, by one of my all time heroes. The Muppet Man. Mr Fraggle. When he said what the spreads he was inking were for, I think I cursed under my breath for an extended period.
You could already see this was a gorgeous project. Leaning over Ramón’s shoulder when he’s working tends to be routinely rewarding, but all the more so in this case.
Reading the book myself this summer finally was an almost-unadulterated pleasure. I was initially thrown by the strange lettering phenomenon associated with old Melrose Mernly [his friends call him Sven]. But after it reoccurred a couple of times I got it, and recognized it for the bit of fun inventive surrealism it is, an echo of Henson’s own penchant for psychedelic audio phenomenon.
This book is filled with playful formalistic inventions that for me put it on par with Asterios Polyp and the like. I think many are fairly novel, but despite and often because of it, all still a fabulously smoothly reading, rolling, kinetic comic.
A race meant to take 10 minutes to Eagle Mountain takes a wrong turn into a maylay of chaos.
The large wordless sections can be pored over, but I encourage you to read it all at least once, in only the time it takes to get the story point and move on.
The ease at which you can register what has been drawn narrative wise is remarkable. Storytelling as sharp as you will find here, for a story so surreal is an impressive accomplishment. Ramon makes it look easy. I also happen to know it was completed in an impressively short time, too.
This is a jealousy inducing book. His discipline is always impressive, and it’s on full display here. What it brings to a quite recognizably worthy bit of the Henson legacy is worth every cent and minute.
You must read.
by Jimmy Beaulieu.
Translated by Kerryann Cochrane
Jimmy Beaulieu is the founder of Quebec publishing house Mécanique Générale, and an autobiographical cartoonist with a penchant for romantic angst. This was how I first encountered him.
I think it was at a Comic Jam hosted by Rupert Bottenberg, or a BD festival perhaps. He’s an extremely likable geeky guy who loves pop music, pop art and sexy ladies unabashedly. A fastidious editor and designer and easy maker of many friends.
He and a group of said friends were publishing great inventive self-published B&W comics when I first moved to Montreal. Several were even wordless so I could enjoy them without issue. I really loved checking out their latest stuff, and was always frustrated by my hopelessly poor language skills when it came to reading Jimmy’s auto bio work.
BDANG is a sub imprint of Conundrum Press, a small but prolific Canadian publishing house. Under it publisher and author Andy Brown is translating and publishing several French books
In 2010 one of them was the collection and translation of two of Jimmy’s extended works, Quelques Pelures and Le Moral des Troupes [winner of the 2005 Prix de l'Espoir Québécois], They document his life between the late ‘90s and early ‘00s. Additional pages were added to the collection, and Jimmy played with parts of the text of the second part to try to round out the story and smooth out his sophomore spots.
I’ve read it in fits, it’s got scope! Coming in at an impressive 250 pages of comics. It’s hard to read in a sitting, but perfect I think for browsing through on transit or keeping by the throne.
Jimmy adopted early an easy, fast, light-handed style of art, well-suited to a personal journal comic. It evolves visibly over the body of work, going from pleasantly naive to deceptively skillful. He often apologizes for his drawing, but I find it enjoyably expressive and his girls are adorable! Being so often the subject of his attention, this pays off for an appreciative reader. He captures people’s pantomime well. The tones and textures lend themselves to a gauzy soft focused nostalgic story about the coming of age of a shy cartoonist from Quebec City who slowly falls in love with Montreal, and moons over hot cupid-like young mothers and full-figured redheads.
There are many small gems, like one of the short, newer epilogues to act one. An entry titled ‘rocket man’ where Jim shares an internal monologue about waiting for his employer at a book fair in Autumn of 2000. Withdrawing from caffeine and suffering a night of poor sleep, on a day he marks as his 2977th of celibacy! Oh dear. He talks about the city landscape while imagining Mecha Kaiju destroying a Montreal industrial park, then that the underwear models on the billboards are there to distract him from the urban destruction. It’s subtle in execution and quite poignant.
I think one great target audience for this collection would be young adult and romance readers looking for sprawling, ranting, romantic, sometimes silly stories of transplantation. Finding love in lots of the wrong places, but finally one right. Feeling inadequate. Facing death for the first time. Raging over pop culture and ranting about popular culture. And being in love with the making of comics. I also know for a fact at least one American comics editor has confessed to having used this book to seduce a girlfriend.
Jimmy has matured a lot since this early work. You’ll find a lovely recent example of his work in Carré Rouge, a romantic fictional story set around the recent protests in Montreal, published in multiple languages online.
But this early material is still quite charming.
By Rupert Bottenberg
Rupert and I first met at a comics jam in Montreal in the ‘90s when i worked at Marvel and was chafing at constraints. Another cartoonist friend and I were talking during a NY convention, and he gave me a zine of Rupert’s, saying I should meet him. This is also when I first heard about Comic Jams, spectacular incarnations of which Rupert hosted in a svengali fashion at the time.
You may have noticed a trend in my book selections? Yes, well, it’s what I’ve been reading of late. Catching up on the work of many friends.
The title Traumstadtdenken is a German neologism, meaning “Dream-City-Thinking.” A reference to a painting by Paul Klee, “Traumstadt,” that had a significant impact on Rupert.
The book is a collection of comix, drawings and odds ’n’ ends spanning 10 years stitched together with bits of connective symbolically narrative sequences. My one complaint is that the packaging of the book seems to have been been poorly proofed, with the margin’s feeling too close cropped on some pages for my comfort.
It’s informative to know he also paints highly designed abstract art, collects and fabricates pop art sculptures and toys, and recently has been globe-hopping as a founding member of the breakout art collective EN MASSE which i’ve had the honor of being a guest member of.
Whatever he is drawing on–in a comic, on a wall or canvas–his rendering is always superbly skilled and highly graphically attractive. This book is filled with perfect cartoony chiaroscuro pages that often invite you to project your own meaning or interpretations. Rupert has always been a fan of wordless art that can be read by anyone. Several sequences here are examples of that. He provides rich symbolic visuals that suggest lots of ideas, and are just really fun to look at. There is no attempt to present an over-arching story here, page numbers are consciously dropped. There are times where narrative is very strong, a story can be found with ease. Is even clearly intended. But where words appear, it’s usually to cloud the issue and add new silly twists to things.
When I first saw his work I fell in love with his lines. We’ve shared an appreciation for improvisational doodling and abstraction. I hope more people can discover his work as I have. This collection is an excellent place to start.
You should also check out his webcomic with author Claude Lalumière, Lost Myths.
I decided to upgrade
my portfolio plugin
and update the site
There were a few kinks but it’s all good now. It’s sweet.
Tablet users should look for and check out the full-screen option! It’s in the menu.
Used it to curate smaller illustration and design sets,
and added some old monsters I drew for a game.
Also created a proper abbreviated comic art samples page, for clients who don’t want
to wade through the full individual book sets.
Rich Johnston noticed on Bleeding cool that I had this GR2099 story up
at the same time so i’ve been getting a lot of hits from 2099 fans.
So let me point out a few of the other new, old pages of mine I posted.
Along with the unpublished Ghost Rider 2099 stories, “Horrorshow” & “Daddy Dearest“,
there’s an unpublished Ravage 2099 story up, sorry lost the script and the name.
A 10 page Spiderman 2099 story
called “Behind the Eight Ball“, published in Unlimited 2099.
A short Morbius The Living Vampire story
called “Drainage System”
that i’ve had on Flickr
for a while.
And I also have put up my previously unpublished art
from Raven Chronicles 13: Leader of the Pack!
Written by Scott K. Andrews.
My co creator on ”Daddy Dearest“.
And last I’ve put up a set of three of the pages
I did for my first tryout for a job at one of the big two,
sample pages on Sandman for Karen Burger.
Zines Zines Zines
Used to make them all the time. Still do now and then. Thought I’d build an online archive of them here. before their was quark or page maker, there was paper. I always made past-up plates to print them from, just like Mr. Marsh taught us at Wexford. So makes it fairly easy to make nice digital masters.
Started this a while back but have to digitize quite a a few of them still.
Will add more to this in the future. But here’s a sketch book zine and a couple of pdf copies of old illustrated Lit zines i published way way back in the day.
A sketchbook journal I kept on a trip to Montreal in 1996. The cover shows one of the first proto-appearances of my pen name. This is a short time after I first worked for Marvel and walked away from it. I was working at Nelvana and trying to work out what sort of comics or whatever i wanted to make, and recovering from a busy summer of breakups. And a lot of people watching. I’ve cut some embarrassing early attempts at writing, but most of it’s there still. The fire damage is intentional. I really liked working with fire. Been awhile since I torched any pages in my sketchbooks but I love the shapes it makes and the smoky pasterns. I’d use it to somewhat spontaneously alter the shape of the image area and improvise with it. Lot more in another big book from around and after that year.
Grab the popular CDisplay reader here for the CBR version.
Also if you just re-write the .cbr for .zip you can pull the jpg files out of the archive.
A lit zine I illustrated, designed and published with my buddy Jonathan Sugarman [J.F.Sugerman].
The PDF of 2 features both the alternate covers for the issue, and the conclusion to J.F.Sugerman’s futurists gonzo dystopian play Drowning.
We published it in two parts. A third issue was in the works, but it never reached fruition.
Hey all, just a update for the site here about what’s up for the new year.
I’ve got a lot on my plate, trying to prioritize things and be more organised than the last couple months. :P
Something to check out, on Carte Blanche we’ve posted a spoken work clip from the launch of issue 14.
“Bring the Doll to Life” was told by Taylor Tower at our storytelling evening, This Really Happened, at Café Sarajevo on December 6, 2011.
We’ll be presenting regular audio content from now on, keep your eyes out for the next This Really Happened.
For Dream Life i just completed the second act!
And posted the tittle card for act two : here’s a rough comp on the left of that, and on the right if you click through you’ll get the full final act.
Wrestling with the layouts now of act 3. And some work on Vlad as well. Going to try to get out and walk every day, then sit and treat myself to something hot and sketch page layouts. Plan for the week . [23-27/01/12]
Been mulling over plans with Bryan and folks about what to do for Sequential’s 10th anniversary, problem for me is I’ll have less time than usual this year to give over to producing the magazine. Need to find a designer[s] and funding solutions if Sequential Pulp is going to happen or be a part of the festivities. Anyone interested in participating should drop me a line. I’ll be posting a more formal note about this on the site later in the week.
How ya been? I’ve been busy, doing shows like TCAF always take it out of me.
Takes a while to get back into the routine and catch up. I warmed up by rebuilding my home web page here, like the new look. Really converted to WP in a big way [have five sites working on the platform now] and i’m loving the themes from graphpaperpress.com [this is one with a few small mods and so is this and this]. I’ve installed wpStoreCart, working on building one now, wondering what kind of things to sell? Would love to have some feed back from you all. I’ve got posters and some books to start, anyone interested in that? What other sort of things would you be interested in?
Ok, comics, comics, comics.
On Revolver, PIN CITY, with new lettering.
And that’s just to start!
The newest edition of Carte Blanche is up – I’m the graphic fiction editor there. For lucky #13 we are happy to present a special feature on CRISIS. There’s a lot of great stuff in the issue, including two excellent graphic fictions stories by some heavy hitters.
From the Eisner Award–winning creator of ‘Too Much Coffee Man’,
Shannon Wheeler, a classic gag comic, ‘Oil Spill’.
And from James Romberger, of ‘Seven Miles A Second’, ’2020 Visions’,
‘Bronx Kill’, and ‘Aaron and Ahmed’, we are very proud to present
a 16 page short story, called ‘Raymond’.
We had many other excellent submissions we couldn’t accept,
but i’m pleased to present a few of them on Sequential HERE instead!
That’s two pages of my own comics and 5 other short stories!
PS: My editor In chief says we’ve not gotten enough feed back from the comics crowd yet so if you check out the site, take a second to tell carte blanche what you think about about it by filling out their short readers’ survey.
Getting the 3rd edition of Sequential Pulp together kept me pretty busy running up to TCAF – our special limited print edition of the Canadian comics blog Sequential. It was Available exclusively in the pulp at TCAF 2011.
A big thanks to all our sponsors, with their help we made our funding goals! Sequential Pulp is essentially not for profit, we give it away for free and pay for the printing with minimum number of sponsors we can get away with – leaving most of the 32 pages for content that way. This year thanks goes to The Dragon, The Beguiling, Squidface & The Meddler, THE LISTENER by David Lester, The Doug Wright Awards, who along with Koyama Press, AdHouse Books, & Conundrum Press helped us put this years issue to press with K6C POSTCARDS.
Unfortuatly there was a small problem with the printing, the dimensions got miscommunicated, and the local intermediary didn’t follow through on requests to see a proof of the printed book so this was not caught before the day of the festival. So the free print edition we presented was a diminished 5.5″x8.5″ mini format zine rather than a full size 8.5″x11″ mag as planed. I was to say the least, disappointed about this. But other than a couple of the cartoonists who’s lettering was made almost illegible most people were pretty cool about it, few seemed to care. But all the same for myself and any one who might be interested, i’ve uploaded a file to magcloud and in a couple of weeks you’ll be able to buy a full sized version of the 32 page magazine at about cost for $6.50 + shipping. In the mean time though it’s also on issuu, so you can enjoy it here/there!
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With just days left till the big day, i really should be taking more advantage of it. Thanks NPR, for reminding me!
By Jim Munroe and Salgood Sam,
Idea & Design Works Llc/NMK
list price: $14.99
This post-Rapture graphic novel would make an excellent stocking stuffer for your favorite disturbed teen, along with black lipstick and a wee nipple ring. Lovebirds Mummy and Raven negotiate the ins and outs of a creepy apocalyptic world in which dogs talk and demonic mutations abound. You might have to don an unattractive bird mask as a reminder of what happened to you during the Rapture. Warning: the feminist figure Lilith takes a hit, as do lesbians, angels and former presidents, but this action-packed narrative is sure to entertain any youth who wears a trench coat to school. Sam Salgood’s imaginative art puts an edgy twist on this world of disaffected youth.
I don’t want to give away too much for those who have not read the book, but do want to comment on this – “Warning: the feminist figure Lilith takes a hit, as do lesbians, angels and former presidents, ” Takes a hit? We didn’t favour anyone as good or bad by secondary traits, but lesbians are not as a group “hit”, and Lilith is more of an amoral anti-not sure what you’d call her-Oz? Not specifically a “feminist figure” in the imagining. Empowered hot witch or something like that yes but…we’re kind of on her side, even if she does scare the crap out of us!:D
The idea for us was to make a counter point book to the B&W moralities of the Left Behind series, and also just liked the idea of treating the Rapture as a Sci-fi genre.
I should also mention, there’s a sequel! ‘Sword of My Mouth’. Jim worked with my friend Shannon Gerard on that, came out last year. Also a good book to get you through the Tribulations. :D
Drill down – all blog posts on Therefore Repent!
Ok, so this is a blatant bribe, I’ve been behind on posting new work the last two weeks, been busy preparing for TCAF and getting Sequential’s special coverage material together, and absorbing some huge good news i’ll mention in a few lines.
To make it up to you, i’m posting this story, a nice colour 5 pager that i think has some rousing sociopolitical tones. If you poke around you’ll find a link to the song it’s based on too.
In exchange for it I ask all my Canadian readers to get out and vote today! Obama got Osama, yep it’s true, done and done [some interesting details about how here for the news hounds].
The big news is as of the latest polls, the NDP are within 3 points of the Conservatives!
Holly crap. But that could all be vapor if people don’t get out and vote.
If you enjoy the art I share with you then know this, I’ve directly benefited from arts council suport, once in the past, and big news, i just got accepted for a new grant last month. Which means i’ll be able to keep working on Dream Life without interruption, and in my spare time do some more comics for RevolveЯ too!
This is the kind of funding to give you the kind of art Harper and Co would not think is worthy of support probably, if given a free hand he’d have cut far more.
So keep democracy, and the arts, vibrant in Canada. Take some friends out for breakfast or lunch today, and stop at the polls. Make sure to scoop up the lazy ones with you, all they need is two bits of ID. And don’t forget, a strategic vote could be for NDP!
Canadians go VOTE today! Give Harper a swift kick if not the full boot!
I was interviewed by my old friend Sam Agro for his blog MOVING PICTURES last week, the post went live yesterday.
SA: Do you think the future of comics lies in digital media?
SS: I don’t think it’s the whole future, but I do think it’s a big part of it. The internet proper is a great entry point for new talent to stretch their legs, get feed back, and learn if they care to. And for more experienced creators it’s a good place to prove something publishers are normally wary of taking a risk on, like unconventional and maybe demanding approaches to pacing and plot. And building an initial interest in a project.
Also, I’ve solely promoted my work online as a comic artist and illustrator, since 1998 or so. And I’d say about 80% of my income has come from inquiries via that.
Then with the new incoming ‘App’ market we have something that may well offer a viable alternative to periodicals, and the problems of overhead and distribution the direct market is struggling with. It’s got a built in monetary stream so that solves that issue, and the new tablets, e-readers and net-books offer an increasingly comfortable reading form factor. Too early to say anything definitive about it but it’s looking pretty viable. Any problems with it I see are more questions of execution and problem solving, than innate obstacles. —>
And as editor at carte blanche I have a shop talk blog post today, catching non-comics readers up with the evolution of the medium over the last 10 years, and adressing the nomenclature of comics, sequential art, graphic novels and graphic fiction.
What I still think of as comics has been going through a time of great change and growth.
When I decided to dedicate most of my time to making them in high school, it was in part because I was being kicked out, and comics were something you didn’t need a degree in. In truth, there were no degrees to be had in comics. If you wanted to learn more about the medium, you studied art, writing, and film, and extrapolated from these different media. If you achieved a professional level of skill there was little worry about competition; I landed my first paying jobs at Marvel after just one serious attempt to get work in the early 1990s.
While I was developing my own skills out on the edges of the scene in the late 1980s, the then lone journal of comics, inventively titled The Comics Journal, called for our bastard medium to be taken seriously by critics, and urged creators to take what they did seriously in order to bring the standards of their work up to where they might merit that attention. —>
Webcomic overlook is really one of the best review sites for the medium though, so i was pretty happy to see Dream Life is the subject of the 42nd review! As an h2g2 fan this has and extra bit of WIN for me.
Did good, got a 4 out of 5!
To answer one critique/question, “Sometimes, though, his focus on the imagery can be detrimental. I felt key details (like character names) were unnecessarily banished to the margins of the blog post. Shouldn’t this information be incorporated in the comic somehow?” – Yes, it just has not happened yet.
This is a totally fair point. As a web comic with one page a week going up, the pacing is slow enough i felt it was a good idea to add some notes. But the story was plotted for a book, where you would get to later pages where people address each other by name in a natural context as fast as you feel inclined to read the pages. It crossed my mind this could be a problem online, but I didn’t want to add cheats to the art itself, hence the notes.
I’d also say it’s actually a very story intense comic but the way i’m building it up, and with what has been posted so far, i can totally see how it would seem the story is secondary at this stage. Hopefully El Santo stays tuned long enough to see it come together. Muchas gracias for the attention Señor!
For some great tips on where to find the best comics on the web go check out his site.
Oh, and here’s the latest page!
And an old funny on RevolveR
Act two starts this Saturday…
It’s Christmas eve, and Max is running around getting ready for the holiday family trip!
Forgot to update this the last little bit, thought i’d take care of it now. Dream life
is going on a short hiatus for the holiday, going to take a bit of time to make some new pages based on changed to the script i just came up with. So this posting is the last page for 2010
! Bellow, i give you the page from the week before! [so as to not spoil the end of act 1]
And the rise and fall of it all will continue on
through the holidays. Below is page 10!
And if that’s not enough comics for you, go check out the last Hey Kids, Comics! post on Sequential for 2010!
Have a merry X-mass, happy holidays, and a great new year!
Continued to trade off between Dream Life pencils and story boards last week, you can see the boards here, bellow are the next two pages of Dream Life after 52
Page 48 went live today, with that Dream Life makes the full switch to TXcomics.
Some older short stories will continue to post on the old site, thinking about what to do with RevoleЯ. Keep it going for sure, wondering about starting to write stuff for others to draw though.
Also my mother amongst others pointed out there’s a new Vertigo graphic novel sporting not just the same name as my anthology, but also the reversed Я! The authors personal tale even sounds like the plot to the rise and fall of it all! And the lead of his book is named sam too. ;p
Funny, i’m pretty sure it’s just dumb luck, stick around long enough and you’r bound to hear the same things a few times. There was a UK Revolver comic, in the early 90′s.
Oh and a big congratulations to Cameron for his Eisner, best digital comic Sin Titulo!
So some time ago i met Bruno Steppuhn, founder of thefabler.com – comics site and home to the very excellent fabler blog. It’s a cool idea of a comics site, still in it’s early stages of being developed but very promising from my talks with Bruno. They plan to have quite comprehensive services to help you self publish comics. I’ll let them tell you themselves here.
One of the things he’s doing to help kick start the site is holding a contest to get creators to upload content and promote it. As it happens i have some older stuff I’ve been meaning to get a few pages done on, that’s just about perfect for the job i think.
The rise and fall of it all is a short graphic novel and multi media project i started in the early 2000′s with John O’Brien, that got stalled and shelved and I’ve felt much self recrimination over.
Happily i think I’ll have the time and means to get the next ten done to make the 25 pages needed to qualify, in fact about 4 or 5 are already and just lack lettering.
Unfortunately you do have to join the site to vote, it’s kind of like Zuda that way. But if you dig what I’m doing and what to help make my job getting it done a heck of a lot easier and faster, then take a second to register, and vote please!