Like what do those guns look like beyond the barrel? I ended up basing them on an image of an old Norwegian Whale Gun! Looked like a primitive revolver that might plausibly be able to be made into a repeater.
I’m not sure if they will end up using my numbering system, they used another layout for those to make more room for the art in the final package, this version was meant to function as a guide for them with the option to use it if they like.
I really enjoyed doing the research. It’s been ages since I watched those Screened three of them while working on this. Enjoyed the comics as well when they came out in english as a teen. So this is definitely another fun feather in the cap gig as a fan of genre entertainment. :)
I don’t think I’d want to do more rigorous technical diagrams, but more illustrations of this sort would be fun!
Artist Terry Beatty posted some shots of how the poster is integrated into the box set, in a call back to the swiss army knife of a baby cart, it’s hidden in the spine! Cool! :)
Art here is from it. First three of eight pages and a peek at a bit inside me! Read it and a whole mess of other great things by pre-ordering the book here! It’s going to be pretty gorgeous I think, a little oversized, full of awe and exploration! Check out the site here to get a look inside!
psst, also, if you were my Partreon, you could read it now! And the first half of Dracula Son of the Dragon, Dream Life, and all three issues of Revolver digitally! ;) Some of the rewards for pledging on my Patreon page!
This episode of the podcast I take a question from Andrew J. Hawthorn, who asked about “Narrative techniques or figurative tricks you can only do in comics?”
Tricky question to answer with JUST words. I’ll give it my best go but for sure this podcast will have a youtube version shortly, with some visual aids. And check out the description texts here for links below. Right off the top, you’ll find page Page 89 of Dream Life, “The roots of violence” on the left, and “A last dinner”, page 68. Both typifying two very different approaches to unconventional page layouts, structurally, and thematically. But each applying the kind of non linear collagen like sequences that do away with conventional panels altogether.
As always, you can become a patron of the arts and subscribe here! Great news, the Patreon campaign has gone over $100 a month! Very encouraging to hit that mark at two months! I’ve just cleaned up the page a bit and set up a custom video playlist of my best stuff for the first page on patreon.
Thanks again to Andrew Walsh & Troy Carlson, my newest patrons, along with Michelle Darwin, Emil Underbjerg, Tim Moerman, Ian Hodgkinson, & Shannon Becker! Plus, two secretive souls who will take no public thanks, but have it most assuredly. Merci beaucoup to you all!
Here’s some Inking on Dracula! : Currently in production at Spilt Ink, for the next issue of Revolver Quarterly.
The current main feature, my collaboration with Mark Sable, “Dracula Son of the Dragon” is on my desk. Mark needs an update from me for our Kickstarter backers, so here’s the news of the moment: I’m aiming to get 15 to 23 pages done for this next installment, along with a short 10 page entry for A Bastards Tale. I’m giving myself about 60 days to do that. Most the Dracula art is penciled and ready to ink as of this post, so this feels pretty comfortably doable.
On the left here is a new take on the Seal of the Order of the Dragon. Based on historical examples, but not by any means Orthodox. Been making my Dragon’s more serpent like for one thing. Doing a lot of research for the era but also taking liberties for dramatic value & my own amusement.
Speaking of amusement, Revolver is going to host quite a contrasting set of narratives for the next 3 issues! A fictional coming of age for the historic Vlad Tepes, and a memoir of my own childhood, raised by bikers and artists. As the kids say, LOL! Byzantine vampire fantasy, and a child’s memory of the ’70s has been making for some wonderful visual research work.
I’m enjoying it. Exactly what I started the Revolver series to do. [the first instalments of both are available now in Revolver 3]. It’s a challenge, but i’m much happier working on different things over the course of a year, than a singular project for one or more.
I record what I do sometimes at the desk, and post it to youtube to share with students in a drawing class I teach. This clip is one of those done earlier this week.
Starts with a look through an old suitcase I used to use at zine fairs as a display stand for my books, that i’ve now stuffed with all the zines i’ve collected over the years that I still like and keep.
Thinking i’m going to start having Jam parties at my house, and I might bring it out for those for fun. Maybe take it to events in the future. :) A traveling zine library.
Then I get into some inking panel borders and one of the drawings. My hand gets in the way a lot, sorry about that. used the wrong camera angle.
The current proposed Spilt Ink publishing schedule for the rest of this year looks something like this:
Revolver 4 in September; Revolver 5 in December; And Vol.6 by the end of February 2015.
That will bring us to the end of the first arc of the first Dracula story line! Three more novellas like it are planned in the future, so be assured the Voivode of Wallachia will return to Revolver. But that first book/arc will then be collected and released to the Kickstarter backers who financed the production.
Plans are not final but it’s probable a version of the first book will then be made publicly available too, likely via Digital formats.
For Revolver Quarterly Vol.7: Nothing more to say publicly about the story that will follow Dracula in vol 7. But I will say i’ve been itching for a while, to do some Sci Fi. A Bastards Tale will probably continue for several more issues as well.
And I plan to bring back The Rise and Fall of it all again as well at some point–first seen as a short in Vol.1. Dream Life book two will also probably start being developed around then. But I don’t really expect to return to the story until late 2015 at the soonest. When I do, it will also be serialized in Revolver as well.
So close to getting so many things done, I kind of feel like there’s a brick about to fall on my head or something!
Just being dramatic but after all the hurdles getting this stuff done. Still some big one’s left to go too…
Got the last of these scanned a couple days ago, inking them by now. The rest of the book is done. These six wordless pages go in the middle, to help give PJ some room to breath as a character. She has one of the most intense narratives in the book. I’m hopping this will help put some of the pieces in place. Looking, here, think it works.
Have to get them done tout de suite! Inked and tones. Also got edits in from Mark for Dracula and the rest of revolver three. Some writing and curating to do too for the backers edition of Dream Life. Get some new quotes. Boy it’s all going to be tight! But once the art’s in the bag i can start some big wheels rolling. [Time shifted post].
Hey so i’m excited to announce i’m teaching a drawing class this fall, 10 classes at Syn Studio in Montreal, emphasising the physicality of drawing from technique to capturing motion and energy in your art.
Some unconventional aspects will be moving live models, field trips to events, and even a free 1hr T’ai chi class [included in base cost] to help you get into thinking about how your body and joints work both for tool use and relating to bodies in motion. Followed by an hour of drawing the T’ai chi instructor!
I’m hoping it proves to be a fun and engaging class! I’m happy to hear we already have a few students signed up, there’s still spots for open so consider joining us for it!
First class is Saturday the 5th of October 4:30 to 7:30pm.
Class dates are all at the same time.
Oct 5, 12, 19, 26
Sept 2, 9, 16, 23, 30
Dec 7th, final class.
Year end party & exhibit TBA Early Registration price is $410.
Regular registration rate is $470. *Early Registration Deadline: August 7th at 11:59 P.M.
Wrestling with the layouts now of act 3. And some work on Vlad as well. Going to try to get out and walk every day, then sit and treat myself to something hot and sketch page layouts. Plan for the week . [23-27/01/12]
Been mulling over plans with Bryan and folks about what to do for Sequential’s 10th anniversary, problem for me is I’ll have less time than usual this year to give over to producing the magazine. Need to find a designer[s] and funding solutions if Sequential Pulp is going to happen or be a part of the festivities. Anyone interested in participating should drop me a line. I’ll be posting a more formal note about this on the site later in the week.
I worked on the art for this last year, the music is by the ARC Ensemble of the Royal Conservatory, enjoyed it mostly. Directed by James Murdoch and produced by Simon Wynberg and James Murdoch. To be honest I’m not entirely happy with how the art was animated, would love to have a go at that myself some time. But the short has been well received and is now officially up on the ARC site after it’s run on BRAVO. You can check out a full gallery of the art from this project here.
How ya been? I’ve been busy, doing shows like TCAF always take it out of me.
Takes a while to get back into the routine and catch up. I warmed up by rebuilding my home web page here, like the new look. Really converted to WP in a big way [have five sites working on the platform now] and i’m loving the themes from graphpaperpress.com [this is one with a few small mods and so is this and this]. I’ve installed wpStoreCart, working on building one now, wondering what kind of things to sell? Would love to have some feed back from you all. I’ve got posters and some books to start, anyone interested in that? What other sort of things would you be interested in?
The newest edition of Carte Blanche is up – I’m the graphic fiction editor there. For lucky #13 we are happy to present a special feature on CRISIS. There’s a lot of great stuff in the issue, including two excellent graphic fictions stories by some heavy hitters.
And from James Romberger, of ‘Seven Miles A Second’, ’2020 Visions’,
‘Bronx Kill’, and ‘Aaron and Ahmed’, we are very proud to present
a 16 page short story, called ‘Raymond’.
We had many other excellent submissions we couldn’t accept,
but i’m pleased to present a few of them on Sequential HEREinstead!
That’s two pages of my own comics and 5 other short stories!
PS: My editor In chief says we’ve not gotten enough feed back from the comics crowd yet so if you check out the site, take a second to tell carte blanche what you think about about it by filling out their short readers’ survey.
Just transferred this from my camera, it’s The Blocky Thing from Dream Life. All to aprorately as I was walking to the cafe to enjoy some AC, i was listening to this, Anime – the philosophy of Japanese animation on The Philosophers Zone [2010 repeat]. Interesting show, and relevant to the sketch by the fact that The Blocky Thing is very much influenced by the films of Hayao Miyazaki.
Did some nice pencils
for the next page of Dream Life – 52 – Want to do till 61,
the end of act 1 in the next week or so as pencils,
get tha chunk ready to ink and colour soon as the Busch project wraps.
Also today, just before those
i was getting into a nice groove
drawing roughs/story boards for
the Adolf Busch project.
Here’s some more of that.
I’ve been falling a little behind on Dream Life this month, sorry to say.
Such timing. Much needed big contract came in, so it’s been getting the lion’s share of my time along with major apt cleaning and a prolonged search for the new roommate! One can’t be too careful.
Got a trip coming up too, i’m attending FanExpo 2010, i’ll be at the TXcomics table, seat number P40B. And on a panel with a pile on of Canadian cartoonists, Unfortunately i won’t be going after all it terns out, too busy with work to spare the slack time for this, but check it out anyway if you can….
Comics Programming Spotlight: Drawing Ahead – The Future of Comics – Saturday @ 11AM in Room 205B – Aug. 16, 2010
While the art and craft of graphic storytelling remains unchanged, there are a variety of new mediums for creators to use to deliver their visions to the world. With the boom in mobile digital devices, paper and print are no longer the limit, and many artists are finding success creating and distributing their work in digital form. Join a panel of leading comics creators to discuss the evolution of comics distribution, the benefits and drawbacks of working with or independently from a publisher, and their current and future projects. A great forum whether you’re an aspiring creator, an established pro considering your options, or a fan interested in new ways of reading comics.
Panelists include: Ramón Pérez (Kukuburi, Butternut Squash), Andy Belanger (Kill Shakespeare, Bottle of Awesome), Cameron Stewart (Batman and Robin, Sin Titulo),Scott Chantler (Northwest Passage, Two Generals), Willow Dawson (No Girls Allowed), Max Douglas aka Salgood Sam (Sequential Spiltink, Dream Life).
Moderated by Conor McCreery and Anthony Del Col (Kill Shakespeare)
So that hopes to be fun.
I’ll have copies of Dream Life with me, only a few it looks like 30+, no budget it looks like to get more printed before the show unfortunately. Wanted to get a T done too. Been to busy to make it happen.
The ‘Day Job’ is pretty cool though. A Bravo!FACT grant project, a short partly animated illustrated story of the last three months the german composer and violinist Adolf Busch spent in Germany, and how he responded to the rise of the Nazi Party.
Working title “One Good German”.
Directed by James Murdoch.
I have to do about 40 to 50 illustrations/frames for it, have 10 done, taken a while to get warmed up into it and start feeling confident with the likenesses, but here’s some of my favorite bits so far. The whole project is being posted as i go here on flickr.
These are all built in animate-able layers, so Busch will bow the violin…
…applauding hands wave…
…and so on.
It’ll be put to music and words,
Getting to play with some cool period imagery.
to make a very stylized looking short run on the cable channel.
Trying to get as much of this done this week as i can, next week is going to be pretty intense getting Sequential to press. Go max go.
Like these two, facing set two count. After the long slow opening and establishing sequence for Charlie, i wanted some nice short bits to follow up with some of the rest of the cast before the next longer scene.
This is the Atom feed for my work diary. This feed is published from my web site at www.salgoodsam.com
…man, kind of cutting it close for the trip. Getting there though, doing a dragon right now, in a novel pose i think, never seen someone do what we’re doing in this scene. Fun.
Can’t show you thought, sorry, secret stuff now, save for the big tada.
Took a few moments from some heavy inking work today to play though. Took a stab and composing the cover for one of my two projects for TCAF.
The text i laid-out a while back, didn’t know what art i wanted to use though at the time. So been sitting on it for the last two years. After i drew the page, it struck me it would be perfect for the job, need to shade it still for the interior, but might use it like this for the cover.
Want this to be ready for TCAF 2010, thinking probably a small run self published deal for now. Like this, looks handsome and would be easy to get printed well. Going to think on it for a bit but it feels right.
This is the Atom feed for my work diary. This feed is published from my web site at www.salgoodsam.com
Ok, i just like making film clips. I’d like to make a film sometime. For now, making comics. A friend said they wanted to see what was going on better in response to the other inking clip, so this time i did just double speed. Not quite as exciting to watch but informational. Even for me, editing this noticed a lot of little things i should be paying attention to. Should analyze my technique like this more often.
In ’98 i did a few months on the crew of Fakk2 in preproduction. Just posting a gallery of my old animation work i dug up this stuff, really enjoyed this, not so keen on the film that was made but had a great time doing this work. Thought i’d share a few of them here.