This is the fifth episode of my regular podcast project. The plan is to keep them short, and topics will be partly whatever i’m thinking about, partly requests from listeners. Mostly about making and reading comics for now but not exclusively.
Music in opening is a mix up of Nasa Space sounds, over Sadoceanspacebear. A bit of Diggin’ On Comix by Dr. John closes out the show. Performed by Mac Rebenault, Richard Crooks, Wilbur Bascomb and Steve Burgin
I had a chat with a fellow cartoonist on NYE, thought i’d do a short distillation of some of my thoughts from that here.
Also welcome and thanks to my newest Patron, an old friend, Tim Moerman! :D Tim and I go way back to the old days of The Monthly Montreal Comix Jam!
Thanks again to all my patrons, get a few more notes and check out the patreon here!
Here’s some Inking on Dracula! : Currently in production at Spilt Ink, for the next issue of Revolver Quarterly.
The current main feature, my collaboration with Mark Sable, “Dracula Son of the Dragon” is on my desk. Mark needs an update from me for our Kickstarter backers, so here’s the news of the moment: I’m aiming to get 15 to 23 pages done for this next installment, along with a short 10 page entry for A Bastards Tale. I’m giving myself about 60 days to do that. Most the Dracula art is penciled and ready to ink as of this post, so this feels pretty comfortably doable.
On the left here is a new take on the Seal of the Order of the Dragon. Based on historical examples, but not by any means Orthodox. Been making my Dragon’s more serpent like for one thing. Doing a lot of research for the era but also taking liberties for dramatic value & my own amusement.
Speaking of amusement, Revolver is going to host quite a contrasting set of narratives for the next 3 issues! A fictional coming of age for the historic Vlad Tepes, and a memoir of my own childhood, raised by bikers and artists. As the kids say, LOL! Byzantine vampire fantasy, and a child’s memory of the ’70s has been making for some wonderful visual research work.
I’m enjoying it. Exactly what I started the Revolver series to do. [the first instalments of both are available now in Revolver 3]. It’s a challenge, but i’m much happier working on different things over the course of a year, than a singular project for one or more.
I record what I do sometimes at the desk, and post it to youtube to share with students in a drawing class I teach. This clip is one of those done earlier this week.
Starts with a look through an old suitcase I used to use at zine fairs as a display stand for my books, that i’ve now stuffed with all the zines i’ve collected over the years that I still like and keep.
Thinking i’m going to start having Jam parties at my house, and I might bring it out for those for fun. Maybe take it to events in the future. :) A traveling zine library.
Then I get into some inking panel borders and one of the drawings. My hand gets in the way a lot, sorry about that. used the wrong camera angle.
The current proposed Spilt Ink publishing schedule for the rest of this year looks something like this:
Revolver 4 in September; Revolver 5 in December; And Vol.6 by the end of February 2015.
That will bring us to the end of the first arc of the first Dracula story line! Three more novellas like it are planned in the future, so be assured the Voivode of Wallachia will return to Revolver. But that first book/arc will then be collected and released to the Kickstarter backers who financed the production.
Plans are not final but it’s probable a version of the first book will then be made publicly available too, likely via Digital formats.
For Revolver Quarterly Vol.7: Nothing more to say publicly about the story that will follow Dracula in vol 7. But I will say i’ve been itching for a while, to do some Sci Fi. A Bastards Tale will probably continue for several more issues as well.
And I plan to bring back The Rise and Fall of it all again as well at some point–first seen as a short in Vol.1. Dream Life book two will also probably start being developed around then. But I don’t really expect to return to the story until late 2015 at the soonest. When I do, it will also be serialized in Revolver as well.
The RSA animates helped to popularize this style of presentation, I’ve just started experimenting with the approach and enjoy it quite a bit.
It’s ideal for communicating ideas clearly for just about any client, and viewers seem to enjoy watching cartoon art drawn on camera even just for its own sake!
I can provide full services from development of the script to final posting and hosting on Youtube or other video sites.
Contact me about rates for your next viral video project.
Music is “Instrumental“, by Sinphonic from Man Vs Himself 
Used with thanks to the talented George Westerholm and co.
I worked on the art for this last year, the music is by the ARC Ensemble of the Royal Conservatory, enjoyed it mostly. Directed by James Murdoch and produced by Simon Wynberg and James Murdoch. To be honest I’m not entirely happy with how the art was animated, would love to have a go at that myself some time. But the short has been well received and is now officially up on the ARC site after it’s run on BRAVO. You can check out a full gallery of the art from this project here.
Got a bit of nice press the last 48 hours, lot of people tweeting up the comics, thanks KarlDwight and Jack to name a few instigators.
Also the guys at Robot 6 have been really supportive of Dream Life for a while now, posted a nice little thing about the start of Act 2 here.
Here’s an interview a did in November last year. Local radio show Les Mystérieux étonnants posted the clip here, I’m part of the longer post. I’ve made a short version highlighting my bit that you can watch here. As usual i’m less than happy with my ham-fisted responses, hard to be as eloquent as i’d like after talking to teen fan boys all day. My voice was pretty blown out by the time Benoit talked to me here. Slurring my words a lot. Also already was starting to feel the nasty con-bug setting in by this time, laid me up for a week after. Ug.
That’s what I get for shaking that 15 year old Rorschach’s hand.
One thing i feel like clarifying is, i’m not exactly against genre, just letting it drive the story. And the rather blatant leave little up to the imagination put it all out there way it’s written in American Comics a lot of the time. Was talking with Ange about this, we watched the new Being Human series shot here in Montreal.
A good theater friend of her’s is in it, Alison Louder, playing Josh the werewolf’s sister. We watched the BBC series pretty avidly, and comparing, the new one is good, i’m liking it though a lot of that is the familiarity, seeing my town on the tube. But you can’t help notice how much faster they are rushing along in the telling. Not taking as long to build up the personalities at all. Spelling things out much more, rather than letting time pass and you just glean things from their happening. More tell, less show than in the original.
This is what seems to happen in most Genre fiction this side of the Atlantic. Probably elsewhere too, but something that makes most of the good BBC stuff good, is their knack for not doing that as much.
And it’s avoiding that i’m most keen on with Dream Life. I want this story to play out, not be spelled out. You know? Anywho, watch the interview.
And last but not least of all, i recently started putting on an editors cap for chores at carte blanche. As such it’s my duty to inform all doodlers, The next Bi-annual deadline for submissions of graphic fiction to be published in the spring 2011 – 13th edition – of carte blanche is March 15th! You have 53 days to submit!
OK, so it was a pretty fun weekend though i got nailed by the flue after all that.
Fist i want to say thanks to Nadia Moss for the loan of her wheels when i thought i’d left my stove on – it was all good in the end and i was able to grab my forgotten lunch too. Nice ride as well. Wish i’d had the presence of mind in all the chaos to go by her table when i was shooting clips, she was presenting some nice prints. Check out her stuff on flickr and this strange little video she did with Automatic Vaudeville.
As i mentioned in my fist post when I was stuck on the stage I had horrid sales. Managed to move to a great spot on the main floor day 2 and it made a hell of a difference! Easily three times as many copies of Dream Life sold along with several other books I brought. That helped a lot but the slow day one – normally i do better day one and a little less day two – means over all this was not really a very profitable expozine for me – covered my expenses but it could have been better had i gotten there early day one.
That sucked and so did getting sick. Gave me time to edit the video i took though. Sorry for the crappy sound, mostly could not be helped, cheep camera. Will upgrade some time when i have the spare cash.
So i shot a two part tour of event, talked to a lot of people, and below the clips here i’m posting links to as many as i can manage.
So I just want to say, when we depicted the end times in Therefore Repent, i didn’t mean to say i belive in it! Nooooo, not even a little. We were taking the piss. But these crazy guys!! Fuck!!! Holy crap, you can’t write it this bad. Check out the patch. Man.
But they could not outrun Rachel Maddow. Nice. If there were a god that would mean he watches her.
Good old Michigan. Don’t you guys play in our rain dear games. Not unless you got some antlers.
This is the Atom feed for my work diary. This feed is published from my web site at www.salgoodsam.com
Ok, i just like making film clips. I’d like to make a film sometime. For now, making comics. A friend said they wanted to see what was going on better in response to the other inking clip, so this time i did just double speed. Not quite as exciting to watch but informational. Even for me, editing this noticed a lot of little things i should be paying attention to. Should analyze my technique like this more often.
If you follow this blog you know i just wrapped up a wfh gig, and i’m trying to get in as much work as i can before a week long vacation in Toronto in February. Seeing that other work helped me get kick started inking some Dream Life stuff. Had a good day yesterday getting this done, and i penciled AND inked this tonight in one sitting! In all this page took about 4 hours. Helped it was a simple one mind you but still, like it when once goes that easy.
So that was pretty fun, the 2009 Montreal Comic Con was a small fan con, with a proportionately large artist alley [to dealers room]. really good crowd Saturday, Sunday i got there late but the crowd was tepid in comparison too. About a quarter maybe to Saturday’s turnout. All in all though good time. Sold lots day one, just enough day two to make showing up worth it. Made a video of the mania on day one….
Also someone at the con told me they knew it was my birthday this past week becuse they saw this, thanks Tom!
I spent some time watching Darwin work on commissions, he’s got a really bloody-minded efficient system for rendering.
I’ve done that general kind of thing before but 10 years ago set off to amuse myself doing more personal work, it’s both enticing and daunting t think about getting back into such a regime. But if i want to get things done faster….
been thinking about what to do for $ now that the illustration market is so dead, working some kind of WFH gig is on the table, talking with some of my friends on the inside it seems tempting and really – after part time dish washing for the last 6 months i’m about ready to do anything just to get back to being paid to draw full time.
Dream Life is still going to happen, but i need something stable to back up things. Always did want to draw Rocket Raccoon, maybe that idea for a one off i joked about is worth following up and pitching…
This is the Atom feed for my work diary. This feed is published from my web site at www.salgoodsam.com
Some footage from this years MoCCA. http://www.moccany.org It was hot, huge, and packed. I really only shot a tinny part of it, overwhelmed by the humidity and all the people & books, i just kind of frazzled out after walking one and a half isle. There was just so much stuff to see.
Good panel from MoCCA 2009 in New York City, with Alvin Buenaventura (Buenaventura Books), Mats Jonsson (Gallago), Tom Neely (2007 Ignatz Winner), Brett Warnock (Top Shelf), Julia Wertz (www.fartparty.org), Dylan Williams (Sparkplug Comics). Chaired by Heidi MacDonald (The Beat).